The
Founder
At the
Elizabeth Ayres Center for Creative Writing, we believe that writers
play a vital role in our society as it struggles to evolve. For 18
years now, we have been committed to establishing the conditions
necessary for the creative spirit to flourish: nurturing writing
instruction and a supportive writingcommunity. We think that this
profile of Elizabeth Ayres, which appeared in The Woodstock Times
on April 3, 1997, gives the "feel" of our unique approach to creative
writing instruction.
WORDS FIND WINGS
by Sid M
The arctic emptiness of a
new sheet of paper, a silent typewriter, the impatiently blinking
cursor on a computer screen: these are the things the writer faces
every day. They can be a boon, a fresh start, a new opportunity, a
creative catalyst. But sometimes they can be a bane, a horrible void, a
mocking mirror reflecting a mind that grows blanker by the minute.
Elizabeth Ayres would like to end the tyranny
of the blank page. Through her Writing the Wave
Workshop, she helps the writer tap into the creative wellspring, to
claim what she calls their "birthright of creative self-expression," to
face fresh paper with fresh confidence. Ayres, founder and director of
The Elizabeth Ayres Center for Creative Writing in New York City, will
bring a "Get-Away Writing Weekend" to the Catskills the weekend of
April 11- 13, at Our House Bed & Breakfast in Woodstock. In five
workshops encompassing the first part of Ayres' three-part program,
participants will be guided through a series of exercises developed by
Ayres to spark the imagination and join pen and paper.
Unlike other creative
writing courses, Ayres says, Writing the Wave
caters specifically to those writers she likes to call "intimidated
fledglings." "I don't like that word beginner, because most of the
people that I am trying to reach have had a long-standing relationship
with writing," Ayres explains. "Usually they've been floundering
around, trying to get somewhere with writing. [They're] more mature
people who have a lot of wisdom inside of them that they want to try to
get onto the page."
Ayres, a poet whose works
are published in The Malahat Review, Bitterroot,
the anthology Fresh Paint and numerous other publications,
has been teaching creative writing for 25 years, at New York University
and through various programs like Poets-in-the-Schools. In 1990, she
founded her Center for Creative Writing as a way of helping others to
"share their wisdom with humanity."
Ayres, a quick and
thoughtful speaker whose strong spirituality permeates her life and
work, de-emphasizes her philosophical side in teaching creative
writing. "It's a part of who I am, but it's not necessarily relevant to
the work I do from [the students'] point of view," she explains.
Neither does Ayres take a traditional, academic approach to writing
instruction; her workshops are designed to offer the writer more
guidance and structure than other courses, through exercises that
"break the writing process down into component parts the way a chemical
compound beaks down into elements," she says. "The fledgling learns how
to recombine those parts for [him or her] self." Each of Ayres'
exercises teaches a fundamental principle of the creative writing
process, she explains. "The principle kind of transforms itself into a
technique through the exercise, so that when [students] finish, they
have a structure that they can use and repeat on their own."
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Ayres notes that her
approach works for any type of creative writing, be it playwrighting,
poetry writing, fiction writing, non-fiction writing -- even screenplay
writing. "What I help people do is get down inside of their source of
imagination, their source of ideas, the center of their souls. Then the
exercise gives them a way to bring those ideas forth onto paper. How
they bring that forth is up to them, and it will depend on what that
particular person's gifts are."
Although her techniques are geared toward fledglings, Ayres notes that
the experienced writer can also benefit from her workshops, "as long as
that person isn't taking the workshop in order to prove how terrific
they are. What the exercises do for more experienced writers is
open up a new door, get someone's imagination sparked in ways that they
might not come up with on their own."
Anyone can be a writer if
they have the desire, Ayres maintains, but self-doubts combined with a
culture that isn't conducive to creativity get in the way for many
would-be writers. "Most of us grow up believing in school that our true
voice, just being ourselves on the page, is not enough, and that
somehow we have to have a super vocabulary, be geniuses, we have to be
crazy. People have very poor models of what creativity is, and what
real writers go through," she says. "They think real writers just come
up with it right away, that War and Peace just flowed out of Tolstoy's
pen just like that. So when they sit down to write and they get garbage
the first time, they think that means they don't have talent. As Brenda
Upland says, everyone is talented and original and has something to
say," Ayres continues. "Almost anyone who has the desire can be trained
to bring their true self forth into words on the page."
From its modest beginnings in 1990, with six students, close to nine
hundred students [over 1,500 in 2008] have taken some portion of Ayres'
program. Many of these have completed novels and other works begun at
workshops. Writing has many benefits, avers Ayres. "Creative
self-expression of one kind or another is the birthright of the human
being, so I think that one thing that the non-professional writer gets
out of it is the joy of being fully human by claiming that birthright,"
she says. "It's a tremendously pleasurable act, which our culture does
not allow much room for, the spontaneity, the playfulness of putting
words together in new ways, playing with language. It just helps a
person be more whole in a culture that mitigates against wholeness."
The
Elizabeth Ayres Center for Creative Writing offers Writing the Wave,
a creative writing program of
multi-genre, online writing
workshops suitable for beginning
writers and intermediate writers. Advanced writers should contact
Elizabeth Ayres directly, to inquire about private instruction. The
Center also offer several kinds of writing retreats.
Feel free to contact
us by email or by phone (1-800-510-1049) with any questions you may
have. We do sometimes offer other kinds of writing classes, and we hold
writing workshops in New York City and in Connecticut from time to
time, so make sure you sign up to be on our mailing list. That
way, you'll always be informed about new Center offerings, and once a
month you'll receive new essays by Elizabeth Ayres.
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